Painting Cost $120 Million, But Is It Any Good?

We now know that financier Leon Black was the anonymous bidder who acquired “The Scream” for $120 million at Sotheby’s in May. Although Black is known in art circles as a discerning connoisseur and collector mainly of drawings, in this case his supposed good taste seems to have suffered a lapse. Only a billionaire art collector with an outlandish ego would pay so much for such an atrocious work – one that neither you nor I would hang on a basement wall let alone display where everyone might see it. Black bought Norwegian painter Edvard Munch’s 1893 work simply because it is one of the most recognizable paintings in the world. But if it had been undiscovered and unknown until yesterday, only someone with very peculiar taste or a bizarre sense of humor might have given it a second look at a flea market.  If we had bought it ourselves, it would be to give away as a gag gift, or to hang in a bathroom.


This is nothing against Munch, who clearly had “issues.” As we know, more than a few great artists were borderline nuts (although we would not classify Van Gogh as such. The guy had every right to be crazy-angry when his paintings failed to attract even a single buyer).  Far be it from us to begrudge the tortured artist the right to exorcise his demons on a canvas. But we – pardon the pun – draw the line at paying good money for the result.  We’d rather spend our art dollars on objects of beauty – as why not, since beauty is arguably the only sensual path we have to things spiritual. Black, by paying a fortune for The Scream, seems intent on finding a path to something else.  Notoriety, perhaps? Not in the art world. He’s a hero at Sotheby’s, and his friends are probably telling him what a great bargain he got. You and I can do a lot better, though.  In all likelihood, many of us know an artist or two far more talented than Munch. Two friends of ours spring to mind, both of them gifted artists who paint beautiful pictures: Debra Oropallo and Geoffrey Leckie.  Although neither is undiscovered, their best works can be had for far less than artists collected by the likes of Leon Black.

If you’re interested in art mainly as an investment, though, we’d suggest plowing every penny you can beg, steal or borrow into a Warhol. His art is so closely identified with the visual iconography of this age that it seems assured that it will continue to appreciate for the next thousand years (assuming mankind is still around). But don’t be afraid to buy something else – particularly something beautiful — if it strikes your fancy. Beauty is about as popular in the art world these days as rhyming poetry is in academia. That’s why there are some great bargains to be had.  As for Leon Black, if he professes to find something new in The Scream each time he looks at it, that’s just buyer’s remorse living large.

***

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  • davem July 24, 2012, 9:35 am

    HI Rick
    I agree with you that this type of art is mainly interesting to investors following investment advice from art dealers. This is really about money, investments and not about good (or relevant) art.

    Thanks for the links to your artist friends. Here’s a link to a socially critical exhibition in London (UK): http://www.furtherfield.org/programmes/exhibition/invisible-forces.
    The exhibition is full of art pieces that comment and reflect on our lives and frustrations right now – it covers lots of issues that you regularly talk about here. The show is running until mid August, so if you want to invest in Art, I recommend taking a look at this.
    thanks, dave

  • Cam Fitzgerald July 22, 2012, 2:27 am

    Just thinking back over the past. It was the early eighties that the high-end art market was on fire like it is today. Paintings, sculpture and anything truly unique and unusual were fetching outstanding (even shocking) prices and there was a lot of discussion about how all those guys would lose their shirts.

    Actually lots of them did eventually but it was because of corporate failures or investment portfolio losses that sent the art back to the bidding block.

    Anyway…..the idea back then was to protect wealth against the ravages of inflation and so art, rare cars, sports teams and gemstones were bringing astonishing bids. The same fears and worries that were driving up gold and silver prices were also seeping into the most elite of investment classes.

    People wanted to hold something of value and to buy it before money became worthless.

    We don’t have that exact same dynamic now though. This is very strange when you think about it and it suggests there is widespread disagreement on where the economy is really headed.

    As the excess of credit has almost come to a conclusion and deflationary forces are taking hold we are (oddly enough) seeing the same response as we saw at the height of the worst inflationary period of the 20th century.

    Money flows are telling us that these buyers are really anticipating a massive wave of inflation on the horizon, not a coming deflationary abyss. The problem is that the future really is looking decidedly deflationary in the big picture and nothing illustrates this better than the continued floundering of real estate markets.

    There was a popular expresssion a few years back. I think it came from the movie \Field of Dreams”. The expression was “build it, and they will come”. Catchy isn’t it? The idea is instantly appealing even though it is often not true. Just ask some of the mall developers in China (but I digress).

    The thing is, we have internalized that message in our society. There is a belief in many circles that the Fed can never run out of bullets for example. As long as they have a printing press we are always within reach of a safe harbour and a soft landing.

    And so the modern version of the idea would be along the lines of “print it and they will spend”. For the past several years we have watched velocity dropping in the face of massive monetary intervention.

    The system was flooded with liquidity and yet the actual effects on the ground were rather muted except in the cases of gold prices and other commodities. Wages did not rise nor did employment recover sufficiently to move the economy as an outcome.

    The Fed is indeed printing but the money goes unloved and unwanted in too many cases. Savings rates actually began to rise after the housing bubble burst and were climbing above 6% not so long ago while consumption was in decline. More recently the rate has fallen back to 4% but another recession is almost certain to send it surging and this is a concern for any imagined consumption driven recovery.

    In many cases those who need capital most cannot access it due to damaged credit from the bursting housing bubble and the associated fallout. This segment of the population may represent up to one fifth of all borrowers so addressing this one area might yeild very good results. Perhaps rejigging the credit bureau numbers would help. I am not kidding when I suggest lowering the bar. Consumers have already been punished enough without leaving an artificial barrier in place that will hold them back while they are still strong enough to act.

    So we are nearly at the moment in time that we will have our epiphany and true moment of realization. If velocity remains low there will not be a major inflationary storm coming. If the Fed prints but the theoretical money just sits forlorn on bank balance sheets then nothing was really accomplished at all for it is consumers whose collective actions are really determining the future.

    Maybe the Fed really is out of bullets and only fiscal intervention can ultimately save the day (except we are all broke!). What if liquidity injections do not raise the economy as expected and instead savers start hoarding cash in preparation for a rainy day?

    While I realize that consumption is still rising we do know it has come at the cost of other parts of the economy (like real estate acquisitions) and that higher savings are a drag on the economy when it needs support. Furthermore, there have been efforts on the part of consumers to pay down debt although a great deal of delvering still lies ahead.

    Is this why bullet trains are really being seriously considered? I am referring to public works programs which most here will instantly associate with the great depression. This may just be the modern incarnation of a massive road building program.

    The economic evidence seems to me to be supporting a trend towards a deflationary outcome despite the artificially induced and commodity driven inflation of the past few years. We may witness another round of this kind of inflation in the near future but we should monitor the progress as so many countries are now slipping into low or negative growth phases.

    Another big stimulus splurge might just push us over the edge as prices rise against a backdrop of high unemployment and falling incomes.

    This is a big squeeze especially as it now seems all but certain there will be both program cuts and tax hikes in the future suggesting that few avenues of relief now remain open from which economic expansion might be seeded except outright currency devaluation. The specter of a sharp decline in living standards cannot be overstated though.

    And so I too question the wisdom of anyone spending outrageous amounts of money on a single painting. That is another of todays follies and the practice seems to be sourced in a belief that history will repeat itself as it did in the 70’s and 80’s. The Boomers are operating on the facts as they know them best but I believe they have misjudged the future. What is coming is their parents bad recession and that one was much worse.

    So I doubt this current strategy of investing in high value assets will produce real dividends. It will not likely work to their advantage. Much more likely is that we will see history gaining ground on a repetition of the 1930’s. That was also a time that was preceded by a huge excess of credit and investor splurging that is not so unlike what we see today. It will be much deeper this time though and longer lasting as a mirror reflection of the length of time it took to ride up to these lofty heights.

    Todays big spenders will be tomorrows big fools.

    • Cam Fitzgerald July 22, 2012, 3:32 am

      The 50 Most Jaw-Dropping Luxury Purchases In The Past Year…….from Business Insider.

      http://www.businessinsider.com/thelife50?

    • gary leibowitz July 22, 2012, 3:32 am

      Forcing one to put 25 percent down on a house is a good thing. Low mortgage rates, higher savings, is a plus in my mind. Grounded to reality is definitely a positive. The free wheeling gambling days are still behind us.

      I would say that wages being so stagnant for almost 4 years is not a good occurance. While it certainly prevents an inflation spiral, the opposite is true today. Why have corporations, over a 4 year span, been able to make such huge profits quarter after quarter without any sign of employment pickup? Why do they get a free ride? They have definitely changed their labor practices, and it seems like it is a permanent policy. The same is true on subsidizing the wealthy. The facts are there for anyone to see yet people ignore the conclusions. Why? 10 years of a 4 fold increase in income for the wealthy individuals and 18 quarters of corporate profits with extremely low employment. Call me a simple person, but it does seem like there is a simple conclusion to be drawn from this. Perhaps I just don’t “get it”. I believe it is these two events that will eventually cause a deflationary depression. Huge imbalance of wealth and a debt structure that can’t be supported by the middle class.

  • ter July 21, 2012, 8:35 pm

    For a devastating critique of post-WWII “modern art” see Tom Wolfe’s ” The Painted Word”. My wife didn’t appreciate “The Scream” of a shower curtain.

  • Jill July 21, 2012, 6:21 pm

    Beauty– and art– are in the eye of the beholder. The same work means different things to different people– and is worth more to one person than to another– somewhat like stocks, except more interesting.

    Georgia O’Keefe is my fave. Click on Selected Paintings to see her work.

    http://www.georgiaokeeffe.net/

  • Jill July 21, 2012, 5:57 am

    There are many sites on the Internet on this topic. Here’s one with a good list.

    http://blog.questia.com/2012/03/honoring-the-ten-most-studied-female-painters-this-womens-history-month/

  • gary leibowitz July 21, 2012, 1:09 am

    Off topic, as usual.

    The LIBOR Armageddon might just turn out to be a lot of talk about nothing. Since people here have noted that the Fed knew about this a long time ago, this in itself might negate any legal action. That’s not just my opinion. The other problem is trying to figure out damages.

    No I wouldn’t count on this one event to derail the banks.

    Back to art. Does anyone have a female painter that they appreciate? The only one that comes to mind is Mary Cassatt. Where were the female artists and when did they start to be accepted?

  • Dave July 20, 2012, 9:19 pm

    If 3D art is more to your liking, you can buy the Scream vinyl blow up. My friends have it in their bathroom on a shower pole. Does add something to the usual bathroom experience.

    http://viadesign.com/images/about_grid/content/img_the_scream_2.jpg

  • Cam Fitzgerald July 20, 2012, 6:40 pm

    So the Euro is down another chunk today. Looks to me like it will bottom near the FOMC meeting July 31st. That’s my bet anyway. The timing seems about perfect for a bit of fireworks if there are any announcements that are meaningful. I marked my calendar. I just don’t see the dollar making any significant upwards move other than a fresh top but we shall see.

  • ebear July 20, 2012, 8:39 am

    I liked the Homer Simpson version better.

  • gary leibowitz July 19, 2012, 11:15 pm

    Loved all the impressionisst hanging up in Paris’s D’orsay museum. Besides impressionist I like works by Vermeer and Modigliani. American works by Hopper and Wyeth. The POP Art I have mixed feeling.

  • bc July 19, 2012, 10:13 pm

    The artist is using “light” on “space”. No, he’s using “color” on darkness and space. He’s making a comment on the inescapable depravity of our decadent society. Or not.

    Me, I like Marc Chagall. Couldn’t draw worth beans, yet his paintings always say something to me..mostly that he didn’t care that he couldn’t draw worth beans, so get over yourself if you do.

    Mr. market has bipolar disorder. He is subject to violent mood swings. He will gap down in August IMO.

  • ben July 19, 2012, 10:01 pm

    As for Warhol…I do appreciate how he turned the tables on the art world by having in his “Factory” a bunch of doped up hippies with zero artistic ability mass produce his works and sell them for a fortune. “Modern art” has twisted and perverted the whole meaning of art to the point that some piss in a jar can sell for tens of thousands of dollars as “art.” Of course, I’d never buy a Warhol or any piece of modern trash art.

    As for Rothko, I can understand how you can find his “art” soothing. I find walls painted sky blue soothing, but I’d never dare call the painter an artist. To call Rothko’s paintings “art,” is just a perversion of the word in my book, however much you enjoy them. When a work can be easily reproduced by a non-artist, or even a child, then it has not risen to the level that I’d call it “art.”

    &&&&&

    Yeah, I’m not buying any artists either unless they’ve proved their talent with figurative stuff. And if a kid could have done it, I agree, it’s not art. RA

    • BigTom July 20, 2012, 3:38 am

      RA – sheesh…. ’bout time!

    • BigTom July 20, 2012, 3:40 am

      RA – that last comment was re: Vlad

      &&&&&&

      NOTE TO ALL: I have kicked Vlad out of the room because his posts have been getting more rancid by the day. And yes, BigTom, it was about time.

      Vlad: No one wants you in here. Show a little class and leave quietly. RA

    • mario cavolo July 20, 2012, 12:48 pm

      Amen and all that…

  • ben July 19, 2012, 6:18 pm

    Rick, I think you are being hypocritical with your criticism of Munch and the Scream on an esthetic basis. Warhol was a shameless hack and laughed at the people paying big bucks for his “art.” And you like Rothko, whose masterpieces consisting of just 3 rectangles could be easily reproduced by any 5 year old. Lets just say beauty is in the eye of the beholder and leave it at that.

    • Rick Ackerman July 19, 2012, 8:16 pm

      A good Rothko is like a fine cigar, Ben. Just something about those rectangles that is so sublimely soothing. Concerning Warhol being a “shameless hack,” if you visit the Pittsburgh museum, you’ll see that he was indeed that at times, but also much more.

  • ken horn July 19, 2012, 6:10 pm

    Rick – I have to disagree. Although $120 mil is an absurd amount to pay for any painting (IMHO), I have always loved “The Scream”. Admittedly, I am certainly no art aficionado, but the painting evokes a visceral feeling of impending doom & despair.

    • Rick Ackerman July 19, 2012, 8:12 pm

      Exactly why you wouldn’t want it hanging in your living room, Ken. It is a novelty act, good for a visceral reaction, But then what?

  • BigTom July 19, 2012, 5:33 pm

    My appreciation of art peaked with the classical sculptures and architecture of Greece, amazed at the details carved into Roman busts, awed by the natural beauty of the Renaissances’ Michealangelos and the later Caravaggios, intrigued by the impressionist fame of France, and has dropped off a cliff in appreciation of most there after…..I have to admit though I am very much impressed with Munch’s ‘Scream’. It is a very good depiction of my horror at much of everything not only since in the art world, lets throw in modern day politics, a so phony and demonically manipulated free market capitalistic system, and let us all not forget modern day warp-age that has once turned a once honorable profession into the ‘junk science’ of man caused global warming……Actually, now that I think of it, the ‘Scream’ is a very insightful and a artful depiction of todays modern world….Am I warped or what?

  • Jacques Redou July 19, 2012, 5:21 pm

    Leon Black should go to Vegas and get
    Steve Wynn to show him how to make money on
    his art object.

    • Rick Ackerman July 19, 2012, 8:09 pm

      Wynn’s breathtaking collection is more “commercial” than Black’s, and arguably more bankable. His great trick is having found a way to write it off as a business expense.

  • Bam_Man July 19, 2012, 5:07 pm

    And people say “there’s no inflation”.
    There’s plenty of inflation in the things that the 0.1% buy and trade among themselves. And make that hyper-inflation in the case of the 0.01%.
    Thanks to these a**holes, I can no longer afford to buy Grand Cru Burgundy or First/Second Growth Bordeaux. Thank God they haven’t discovered Italian wine yet.

    • Rick Ackerman July 19, 2012, 8:06 pm

      Increasingly, those a**holes are, Asian, Bam. And even the French are horrified at how much Asian buyers are willing to pay for untested vintages.

    • gary leibowitz July 19, 2012, 8:17 pm

      Rick, I sent you an article recently pertaining to wine investment. Hope you got it.

      &&&

      Pls resend, Gary, since it seems not to have reached me.

    • Bam_Man July 21, 2012, 8:35 pm

      Absolutely true, Rick. And many of the Asians paying insane amounts for these labels couldn’t tell Petrus from grape kool-aid. Which goes a long way towards explaining the hilarious wine “counterfeiting” that is going on in China. Bottles with labels such as “Chateaux Margot” and “Mutton-Rothschild” selling for hundreds of dollars. Boy, would I love to be a fly on the wall when those get opened.

  • Terry S July 19, 2012, 5:02 pm

    I’d put my money on Picasso over Warhol for lasting a thousand years. BTW, we met Peter Max in April but that’s another story. Ciao y’all.

    • Rick Ackerman July 19, 2012, 8:04 pm

      I’d agree that a collector can never go wrong with Picasso.

  • John Jay July 19, 2012, 4:05 pm

    Mario,
    It is everywhere, all the time, 24/7.
    I saw a Nova segment on PBS where, after years of cost over runs, scientists spent 750 million dollars to measure some tiny angle in space to, yet again, prove Einstein “was right”! In California, the city of Compton is about to go BK. The circle is now complete in California. Governor Pat Brown, Moonbeam’s father, did so much to make California great. And Moonbeam is at the helm as California is run onto the rocks.
    Amazing times.

  • John Jay July 19, 2012, 3:14 pm

    Here is another example of people paying inflated prices for objet d’art. In this case the art will be the illustrations of the California Bullet Train. Since those artists illustrations are likely all we will have to show for the billions to be spent on this folly/ grand theft.

    From the Orange County Register:
    “At a ceremony in Los Angeles, Gov. Jerry Brown signed legislation Wednesday morning to allocate $7.9 billion to the California High-Speed Rail, committing the state to the project despite poor prospects for future funding.”

    So, perhaps Mr. Black did not actually pay too much.
    It is all relative.

    • mario cavolo July 19, 2012, 3:51 pm

      That’s an amazingly horrifying piece of info JJ…govt and its cronies are so out of control… Cheers, Mario

    • BigTom July 19, 2012, 5:29 pm

      JJ – if I may add to your comment: And this state wants to spend multi-billions of $$ on a bullet train connecting barrios and slums?
      Headlines: ‘Trash Collection Expected To Drop During San Bernardino Fiscal Crisis’
      Headlines: ‘City of Compton, California may declare bankruptcy by September’

  • gary leibowitz July 19, 2012, 3:01 pm

    Most impressionists at the time were discarded by the experts. I personally like Van Gogh, especially when seen in person. The brush strokes, odd viewing vantage points, dramatic and what I would consider off color creates a dramtic mood. He was not recognized till after his death.

    Beauty is in the eye of the beholder.

    As for picking the “right” investment vehicle, it is a crap shoot. Like almost any investment there will be periods of boom and bust. Using a yardstick that American painters should do better than others is not necessarily the case. I suspect Chinese art will appreciate faster than most since they should be creating more new millionares over the next few decades. I would invest in art from a country that is expected to thrive over the next few decades. Personal taste has nothing to do with art investing.

    • gary leibowitz July 19, 2012, 3:24 pm

      I just want to update every doom and gloomster that the expected crash is not yet in sight.

      Premature demise of China. Excerpt of article below:

      “Buyers Betting Wen Can’t Keep Lid on Prices as China’s Home Sales Rebound”

      Sales at Sunac West Chateau, a residential project in Beijing, surged almost 50 percent in June as the developer opened new buildings to attract buyers betting on a recovery even as the government pledges to keep a lid on the housing market.

      &&&&&&

      Thursday’s WSJ says China’s home prices were flat last month after eight consecutive months of decline. Depends on what you read, I guess
      . RA

      ===================================

      As for my local are on housing see below:

      “Brooklyn Luxury-Home Prices Rise 5.4% as Brownstones Lure Buyers”
      ===================================

      And finally back to earnings:

      “U.S. Stock Futures Rise on Better-Than-Estimated Earnings”
      ===================================

      Do you really expect a major drop given this news?
      A no-brainer in my mind.

    • gary leibowitz July 19, 2012, 3:42 pm

      As for all the good news out there you have to wonder why companies are still not hiring permanent workers. I know most here find it amusing that I state that corporations can be as greedy as individuals but the anemic hirings over the last 14 quarters makes me wonder just how far they envision problems ahead. They sure must have a very long term horizon for possible danger since their earnings over that same period have never been matched over such a long winning streak.

      The hiring so far came from mid to small firms. The excuse that its because of Obamacare or unsettled economic issues is bunk. They knew how to fire 800,000 workers in a couple of month right after the mortgage debacle. They certainly know they can do that again given the circumstance. So I still have to ask, why is the largest laggard employment? Even housing is picking up.

    • mario cavolo July 19, 2012, 3:46 pm

      Thanks Gary :)…I’ll stick quite confidently with my position that any one who thinks China is going to have anything resembling a crash is wayyyyyy off the reality train and I’ve cited plenty of solid realistic happenings to back that up. People need to stop reading the msm and self-serving guru experts to form their views, and that goes triple for anything China related…

      Cheers Mario

    • Robert July 19, 2012, 5:47 pm

      “you have to wonder why companies are still not hiring permanent workers.”

      It’s simple Gary – there isn’t any work to do.

      Companies are reporting earnings and profits due to a phenomenon the Fed calls “cost push” inflation, but I call it supply and demand.

      Companies do not have adequate new orders (pent up demand) that they are struggling to meet. Inventories are not cratering, Supply chains are nice and fat, and global production capacity is in a glut…

      There is one thing missing: BUYERS. The Fed calls it aggregate demand, and frankly, the bankers are STYMIED as to why they keep hitting the print button and yet increases in aggregate demand remain stubbornly elusive…

      So, why aren’t people buying? simple- FLAT TO DECLINING REAL PERSONAL INCOMES. The Central Banks are printing currency, but the total circulation rate of all currency (both existing and net new) is DECLINING. One look at M2 tells you all you need to know.

      And when people feel the pressure of flat to declining real incomes, they do EXACTLY what they are supposed to do – People are CHOOSING to focus their purchasing energy on necessary staples, and on the elimination of debt- Just as I said they would way back in August of 2010:

      http://www.rickackerman.com/2010/08/it-doesn%E2%80%99t-have-to-be-%E2%80%98inflation-vs-deflation%E2%80%99/

      And, when incomes are flat to declining, and sales are flat, and employment rates are flat or falling, and yet company earnings are rising, what does that say about prices…?

      Surely it can’t indicate that prices are falling, can it? So what exactly does this do to the deflationist argument?

      We are trapped in a stalemate – buying (aggregate demand) will not be stimulated without real incomes rising, whether due to prices finally losing their stickiness and falling, or via the helicopter money effect…

      Price stickiness (a mere by-product of common perception and fleeting mass psychology) is the last strand left on the failing rope that is holding the hanging piano over your head.

      How much do you trust that strand?

      Enjoy your equity rally, but make sure you glance up at that piano every once in a while…

    • Mark Uzick July 19, 2012, 6:12 pm

      Gary, I answered you yesterday, but probably didn’t see it.
      ___________________________________
      Gary: “You keep saying we are in a depression but this government keeps bailing the economy out with more spending. Now I ask you how in the world can you have BOTH? Either we are in a depression, or the government is keeping us out? Your pick.”

      The state is bailing out its cronies – not the economy – hence, the plutocrats get richer and more powerful while the economy nosedives; real unemployment at levels only rarely seen during the great depression; a fake production statistic (GDP) propped up, not by production, but federal spending of worthless fake money; even though it’s propped up, GDP, in real terms, after subtracting the real rate of price inflation, drastically declining every year from at least the 2008 crash.

      There are punitive taxes and regulations driving enterprise out of this country or out of business; and unfunded liabilities that guarantee a massive default by either our bonds, our promises or devaluation of the perceived, but fake, value of the FRN.

      The country is corrupt from the bottom up; the economy is failing; and it’s bankrupt to boot. Gary sees wealth being squandered by New York bankers and civil servants living high and declares that the economy is humming along and all will be made well as soon as we squeeze the last drop of blood from those greedy entrepreneurs to be given to the fat cats.

    • Robert July 19, 2012, 6:39 pm

      Robert Said:

      “One look at M2 is all you need to know”…

      And here’s the look I was referring to, courtesy of Casey Research:

      http://www.caseyresearch.com/gsd/sites/default/files/M2_0.jpg

    • gary leibowitz July 19, 2012, 7:17 pm

      Robert,
      I agree that wages are stagnant, but to say companies can’t hire because of lack of demand begs the question why they have hired temps over the last 3 months. The amount of temps indicate they should have replaced tthem with full time workers. The amount of earnings growth these last 3 plus years also indicate they have the money. The other ingredient you left out is low borrowing costs. Surely that is a positive. The fact that there was a huge refinance binge over these 3 years also helps. It is not so one sided as you suggest.

      My point is that companies have the money to start hiring. The proof is in the last 20 quaters of earnings growth. You are right that the cycle is broken. I believe companies have broken that cycle by playing with new rules. They have permanently changed the hiring practices to save on cost.

      Mark,
      The notion that cronies have recieved the Fed’s money is partially true. Banks have in order to shore up their gambles gone wrong. As for taxes and regulations that smacks against reality. The regulations were lax. That allowed this derivitve mess to begin with. Taxes are half what they were when Reagan was president. The shift on taxes went squarely to the middle class, and government subsidizing the lost revenue.

    • Rick Ackerman July 19, 2012, 8:01 pm

      If we had been around at the time they were painting, I’m certain that most of us — if not the critics — would have loved the works of Monet, Van Gogh, Vuillard, Caillebotte and all the other creative apostates and artistic rebels of the day. The same goes for the music of Ravel, Debussy and Stravinsky, whom the critics scorned. Until the 1960s, the riff-raff had better artistic judgment than most critics.

    • allen July 20, 2012, 3:57 am

      Here’s a pretty good read from Mish on how China is doing for what it’s worth.

      http://globaleconomicanalysis.blogspot.com/2012/07/job-losses-and-unemployment.html

  • jeff kahn July 19, 2012, 2:04 pm

    hi Rick,

    You may like Warhol, but Warhol is one of the easiest artists to fake. Almost any good grad student can do it so convincingly that there are hundreds, probably thousands of fake Warhols in private collections, including museum collections. How long can prices appreciate under those conditions? Essentially there is an infinite supply.

    There are 4 Munch screams, all impeccably provenances. You don’t like Munch so even if you had the money you wouldn’t buy one. But it is already considered a masterpiece by most serious art historians – and most serious collectors (those who can afford the piece.) So as paper money loses its value, the Munch will probably turn out to be a pretty good store of value.

    • Rick Ackerman July 19, 2012, 7:51 pm

      Regardless of how many fake Warhols exist, Jeff, the ones that can be authenticated will continue to increase in value. Note that Dali faked his own paintings, and his output was vast, but there are still some very valuable Dali collectibles around. Although I would expect The Scream to appreciate versus paper money — as what will not? — I wouldn’t be surprised if it turns out that Leon Black bought the top.

      As to what “serious art historians” consider a masterpiece, I trust my own eyes, ears and taste to distinguish good art from bad. As far as I can tell, “serious art historians” are mostly full of s**t, their judgment impaired by ego and money. There are of course some notable exceptions, including Harold Rosenberg, Dwight McDonald and Hilton Kramer.

    • jeff kahn July 21, 2012, 11:02 pm

      Hi Rick,

      I think it’s great that you like what you like – in paintings, in food, in books etc. It makes your life richer. Don’t ever let anyone tell you what to like.

      But if you want to make money off those things, I think you’ll find your likes and dislikes are irrelevant to the players who control those markets.

  • Mark Uzick July 19, 2012, 8:04 am

    Whatever its esthetic value, either pro or con, the difference in intrinsic value between a good copy (or even the computer monitor version above) and the original is not in the millions or even the thousands.

    Collectors value things in proportion to fame and inversely to rarity – something I don’t claim to be indifferent to, but, with the passage of time, something of diminishing subjective relevance and value to me.

    Show me a masterpiece of antiquity and I’ll be far more concerned about the esthetic impression it makes on me than whether it’s authentic or a copy so well made that only an expert using a jeweler’s loupe could discern.

    Once molecular replication technology is developed, authenticity will lose its meaning and value altogether.

    &&&&&

    Mark: I’m still looking for that guest commentary from you. If you sent me a message about this, I never received it.
    RA

    • Mark Uzick July 19, 2012, 11:11 am

      Sorry for the “brain belch”: I should have said, “Collectors value things in proportion to fame and to rarity.”

  • Darkest Knight July 19, 2012, 5:33 am

    Plus I believe Munch did several “Screams”, so the $120mill version ain’t the ONLY one. Now that’s funny.

    • Rick Ackerman July 19, 2012, 7:17 am

      According to Wikipedia, there are four ‘Screams’ done in both paint and pastels, as well as numerous lithographs.

  • John Jay July 19, 2012, 5:23 am

    That painting has no clothes.
    Over and out.

  • Seawolf July 19, 2012, 4:24 am

    Actually, what does that work say about the value of 120 million. Clearly Mr. Black sees a great deal of inflation in the future, at least in the rarefied incomes of those who purchase these things.

    • Rick Ackerman July 19, 2012, 7:08 am

      Esquire magazine calculated in the 1970s that if Jackson Pollack’s ‘Blue Poles’ continued to appreciate in value at the rate it had been appreciating up until then — $6000 in 1954…$32,000 in 1957…$2,000,000+ in 1973 — that it would eventually sell for, like, a zillion dollars. Viewed in this light, it seems possible that a hundred years from now Black will turn out to have bought the top.

  • TRISCEL July 19, 2012, 3:24 am

    Hi Rick , i worked in the the Munch Museum for a year .
    and i am a subscriber so i cant let you away with this one !
    Its not a painting (its pastel on paper). Leon Black is
    i think a long time collector of drawings and though the
    Scream he bought is not strictly a drawing it is on paper
    and that might explain why he bought it .
    As an investment Warhol might be a better buy and beauty
    is in the eye of the beholder but as Art ? . A Soup Tin or The Scream ?? i realise i am on American territory here so i will be polite

    • Rick Ackerman July 19, 2012, 6:54 am

      Thanks for the correction, Triscel — and for showing such restraint. Concerning Warhol, I recently visited the Warhol Museum in Pittsburgh — the largest museum in the world dedicated to a single artist — and came away awed by his talent and imagination.